MixVector

Mixing · Mastering · Remix production

We mix and master your song.

Send us your tracks, rough mix, reference songs, and creative goals. A producer shapes the balance, tone, dynamics, space, automation, and final master—then sends a review version before delivery.

Start your project

Your music stays yours. Public examples require separate permission.

Tell us about your song

  1. Your song
  2. Your goal
  3. Secure files

Hear the difference

From your supplied mix to a finished master.

Hear the full song “DREAMING OR REAL” from the supplied mix to the finished MixVector master, level matched so volume alone does not decide the comparison.

Supplied mix

Before
Open doorway meeting a ribbon of reflected dawn light, cover art for DREAMING OR REAL

MixVector master

After
Open doorway meeting a ribbon of reflected dawn light, cover art for DREAMING OR REAL

Play either version. Starting one automatically pauses the other.

“DREAMING OR REAL” is an original owner-authorized song. Both players use the same full 5:51 song and are level matched for comparison.

How it works

One clear path from session to release.

  1. Send your tracks

    Share stems, a rough mix, references, and notes. We confirm the scope before work begins.

  2. We produce the mix

    We solve balance and masking, shape tone and space, build automation, and prepare a review-ready version.

  3. Review and revise

    Listen, leave notes, and use the revision rounds included in your project scope.

  4. Receive your final master

    Download high-resolution finals, a listening copy, and the approved alternate versions.

Robb Jolley seated with a microphone and guitars in his studio Robb Jolley standing in a music room

Robb Jolley

Engineer / Producer

Robb brings more than two decades of songwriting, performance, and studio experience to MixVector. His project history spans Political Pushover, Oregon Trail, Allie Boy, Ex Machina, The Distraction, Reflektor, Awaken the Machine, Nevermind the Machine, M.A.D., Steady Machete, The Deceived, and his self-titled work.

Song-focused production shaped by writing, performance, and studio craft
Jonathan Taylor performing at a Blind the Fold reunion show Jonathan Taylor performing onstage with bandmates

Jonathan Taylor

Engineer / Producer

Jonathan brings a performer's ear to MixVector, informed by his work with Blind the Fold, Allie Boy, Trojan, He Is Us, Woodrow Piney, and The Distraction. He listens for arrangement, vocal presence, impact, and whether the song holds together beyond the studio.

Producer-reviewed from first listen through final delivery
Clara Vale adjusting a large-format mixing console in the MixVector studio

Clara Vale

Engineer / Producer

Clara Vale guides the MixVector production desk. Every song is listened to closely, shaped with intent, and reviewed before delivery.

Human-reviewed mixing, mastering, and remix production

Services

Choose the finish your song needs.

Every project begins with a source and scope review. You receive a quote, delivery plan, and revision terms before production starts.

Complete finish

Mix + Master

A full production mix for artists who want the song finished—not a list of settings.

  • Session cleanup, balance, tone, dynamics, space, and automation
  • Review version and a clear revision path
  • Final master checked for clarity, impact, and translation
  • High-resolution master, listening copy, and agreed alternates
Start a Mix + Master project

New production

Remix Production

Give your song a new production—not a louder copy of the original.

  • Rights confirmation and source preflight
  • Vocal extraction when the recording supports a clean result
  • New arrangement, sound palette, transitions, and energy arc
  • Full remix, production mix, final master, and review rounds

Source-dependent: if the vocal cannot be separated without audible damage, we pause and request clean vocal stems before production continues.

Start a Remix project

Need Mix Only? We can deliver a full production mix for a project that will be mastered elsewhere. Timing repair, vocal tuning, stem recovery, arrangement editing, and alternate versions are scoped separately when needed.

What you receive

Finals you can actually release.

Deliverables are named in your scope before production begins, so there are no surprises at handoff.

  • Review version for focused feedback
  • Included revision rounds with a documented approval point
  • High-resolution WAV master prepared for distribution
  • Listening copy for streaming and easy sharing
  • Agreed alternates such as instrumental, clean, TV, or radio versions
  • Remix deliverables such as an instrumental or approved stems when included in scope

Your project status

  1. Production
  2. Review
  3. Revision
  4. Approved
  5. Final delivery

Frequently asked

Before you send the files.

Is this more than normalization?

Yes. Normalization adjusts level. A full production mix addresses balance, masking, dynamics, tone, space, automation, edits, and the emotional movement of the song before mastering.

Can you remix a stereo file and extract the vocal?

Sometimes. We preflight the source before accepting the project. If separation leaves audible damage, we stop and request a clean vocal stem instead of building a compromised remix.

Can I send reference songs?

Yes. References help communicate tone, weight, space, energy, and presentation. We use them as creative direction and do not copy a protected recording or another artist's expression.

Who owns my music?

You retain your rights. Your files are used only to complete your project, and a public example requires separate permission.

How do revisions work?

Your quote names the included revision rounds and what counts as a scope change. You hear a review version and approve the result before final delivery.

Great songs deserve a great finish.

Start your project